Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law by Kembrew McLeod & Rudolf Kuenzli, Editors Reviewed by Rob Harle
	Destroy All Monsters Magazine 1976-1979 by Destroy All Monsters Reviewed by Mike Mosher
	A Field Guide to a New Meta-Field: Bridging the Humanities -Neuroscience Divide by Barbara Maria Stafford, Editor Reviewed by Rob Harle
	Green Light: Toward an Art of Evolution by George Gessert Reviewed by Craig Hilton
	Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing by Ann Cooper Albright Reviewed by Giovanna L. Costantini
	Remixthebook by Mark Amerika Reviewed by Jan Baetens

Transmission Arts: Artists & Airwaves
by Galen Joseph-Hunter, Penny Duff, and Maria Papadomanolaki, Editors
Reviewed by John F. Barber

Institutional Critique: An Anthology of Artists’ Writings
by Alexander Alberro and Blake Stimson, Editors
Reviewed by Amy Ione

Bach Jazz: Güher and Süher Pekinel Featuring the Jacques Loussier Trio by Barrie Gavin, Hanno Rinke, et al., Directors
Reviewed by Richard Kade

The resource can be accessed at http://www.zotero.org/groups/magic_lantern_research_group. Best viewed with Mozilla Firefox since ZOTERO fluently works together with this browser.

How to become a member, contact Kentwood Wells @ kentwood.wells@uconn.edu
I added a QR e-mail code for direct download of Kentwood’s address onto your smartphone or tablet.

Please visithttp://www.thelab.org/schedule/events/560-science-fair.html for full details, registration form, and more info.

The Milemete Treatise and Companion Secretum Secretorum: Iconography, Audience, and Patronage in Fourteenth-Century England
by Libby Karlinger Escobedo
Reviewed by Rob Harle

The Philosophy of Software: Code and Mediation in the Digital Age
by David M. Berry
Reviewed by Jussi Parikka

Situated Aesthetics: Art Beyond the Skin
by Riccardo Manzotti
Reviewed by Amy Ione

Spacesuit: Fashioning Apollo
by Nicolas de Monchaux
Reviewed by Valérie Lamontagne

Materials Received Plymouth September 2011Compiled by Martyn Woodward

Arnheim for Film and Media Studies
by Scott Higgins, Editor
Reviewed by Ian Verstegen

ArtScience: A Journey Through Creativity – permanent exhibition and Travelling the Silk Road exhibition
Reviewed by Stella Veciana

Design Thinking: Understanding How Designers Think and Work
by Nigel Cross
Reviewed by Dene Grigar

East Bay Open Studios Preview Exhibition and East Bay Open Studios 2011
Reviewed by Amy Ione

Fastwürms Donky@Ninja@Witch: A Living Retrospective
by Philip Monk
Reviewed by Rob Harle

The Horizon: A History of Our Infinite Longing
by Didier Maleuvre
Reviewed by Jan Baetens

The Secret War Between Downloading and Uploading: Tales of the Computer as Culture Machine
by Peter Lunenfeld
Reviewed by Jan Baetens

Think Art – Act Science (Pensar art – Actuar ciència): Swiss artists-in-labs
by Irène Hediger, Curator

and

Visceral: The Living Art Experiment
by Orton Catts and Ionat Zurr, Curators
both reviewed by Harriet Hawkins, Deborah Dixon and Elizabeth Straughan

New materials received – July 2011 Compiled by Martyn Woodward

A Women’s Berlin: Building the Modern City
by Despina Stratigakos
Reviewed by Zainub Verjee

Contemporary Art in Eastern Europe
by Nikos Kotsopoulos, Editor
Reviewed by Florence Martellini

Grafik Dynamo
by Kate Armstrong and Michael Tippett, with essay by Joseph Tabbi
Reviewed by Dene Grigar

Lab Coats in Hollywood: Science, Scientists and Cinema
by David A. Kirby
and
From IBM to MGM: Cinema at the Dawn of the Digital Age
by Andrew Utterson
Reviewed by Mike Leggett

Le Sel de la Semaine: Henry Miller
by Fernand Seguin
and
Poison Woman: Figuring Female Transgression in Modern Japanese Culture
by Christine L. Marran
and
The Rule of Mars: Readings on the Origins. History and Impact of Patriarchy
by Cristina Biaggi, Editor
Reviewed by Jonathan Zilberg

Making Art History: A Changing Discipline and Its Institutions
by Elizabeth C. Mansfield, Editor
Reviewed by Jonathan Zilberg

Theories of International Politics and Zombies
by Daniel W. Drezner
Reviewed by Anna B.Creagh

Water, Place, & Equity
by John M. Whiteley, Helen Ingram & Richard Warren Perry, Editors
Reviewed by Zainub Verjee

Zones of Re-membering: Time, Memory, and (un)Consciousness
by Don Gifford; D. E. Morse, Editor
Reviewed by Rob Harle

Interface Criticism: Aesthetics Beyond Buttons
by Christian Ulrik Andersen & Soren Pold, Editors
Reviewed by Ellen Pearlman

The Filming of Modern Life. European Avant-Garde Film of the 1920s
by Malcolm Turvey
Reviewed by Jan Baetens

In Praise of Copying
by Marcus Boon
Reviewed by Amy Ione

Lumo: One Woman’s Struggle to Heal in a Nation Beset by War
by Bent-Jorgen Perlmutt and Nelson Walker III
Reviewed by Jonathan Zilberg

Paris 1919: Inside The Peace Talks That Changed The World
by Paul Cowan
Reviewed by Jonathan Zilberg

Octopus Time: Bellmer Painting
by Herbert Lust
Reviewed by Michael R. (Mike) Mosher

A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-Siècle Art
by Alison Syme
Reviewed by Michael R. (Mike) Mosher

U-n-f-o-l-d: A Cultural Response to Climate Change
Museum of Contemporary Photography and Glass Curtain Gallery
Reviewed by Elizabeth Straughan, Deborah Dixon and Harriet Hawkins

The Wesleyan Anthology of Science Fiction
Arthur B. Evans, Istvan Csicsery-Ronay, Jr., Joan Gordon, Veronica Hollinger, Rob Latham, and Carol McGuirk, Editors
Reviewed by Enzo Ferrara

New Materials Received – May 2011
Compiled by Martyn Woodward

Art & Science Collaboration’s
13th international digital print competition-exhibition
to be held at the New York Hall of Science
September 3, 2010 – February 5, 2011

Submission deadline: July 17, 2010

INTRODUCTION

Humans, animals, insects, trees, plants, oceans, and air — indeed, all that we see, taste, smell, touch, and breathe, contain molecular processes of physical transformation; a dynamic dance of change. This magic of transition, called alchemy by our earliest scientists, became the science of chemistry. It describes both the physical structure and characteristic actions of matter. It allows for all organic and inorganic change to take place — brain synapses to fire, oxygen to be formed from carbon dioxide and water during photosynthesis; the transformation of gases in our solar system; along with the ability of proteins to turn our genes on/off. If you extend your imagination beyond the epithelial surface of your body, or into the ether that carries cosmic dust, or even into your kitchen, chemistry can inspire wonder. Like a fabulous menu of concocted primordial soups, when exposed to changes in temperature, pressure, or speed, chemistry can create a stick! of dynamite or a magnificent souffle!

For this exhibition, we celebrate the International Year of Chemistry by inviting artists and scientists to show us their vision of this deeply fundamental, magical enabler of life called chemistry.

CO-JURORS
~ Robert Devcic, owner-director of GV Art London gallery
~ Philip Ball, writer and author of popular science books
Click here forJuror Bios>

SEE GUIDELINES: for details on how to Enter <Guidelines>

ASCI’s SUPPORT OF DIGITAL PRINTS:
ASCI was one of the first organizations in the world to recognize the digital print as a valid fine art product in 1998 by organizing an afternoon panel discussion, “Collectibility & the Digital Print.” The event was held in The Great Hall at Cooper Union, New York City, in conjunction with ASCI’s first international digital print competition/exhibition.

ASCI’s EXHIBITION ARCHIVE here with 12 previous digital print online exhibitions

ABOUT ASCI
Founded in 1988, Art & Science Collaborations, Inc. (ASCI) is an international organization based in New York City. Its mission is to raise public awareness about artists and scientists using science and technology to explore new forms of creative expression, and to increase communication and collaboration between these fields. Explore our extensive archives of past Exhibitions, Featured Members, ASCI Member News, and Homepage Listing, and discover the amazing resource information in our monthly ASCI eBulletin <http://www.asci.org/index2.php?artikel=1156> . [a benefit of membership]

Art & Science Collaborations, Inc. (ASCI) is an open membership organization serving the international art-sci-tech field for 23-years. Click “join” on www.asci.org <http://www.asci.org> for Membership info.

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