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CODEX Mexico

CODEX Mexico is a pioneering initiative aimed at promoting the arts of the book in Mexico and Latin America and to foster the development of international collaborations and cross-border outreach and exchange of skills and ideas.

The first initiative is a collaboration with the Centro Cultural Estación Indianilla and Tonaltepec Global S.C. in response to an invitation from The CODEX Foundation to co-ordinate CODEX MEXICO events at the Guadalajara International Book Fair (FIL) in late November 2011 and an Exhibition / with events (to be announced) at Centro Cultural Estacion Indianilla in February 2012. These two events will establish the CODEX Mexico Chapter as part of The CODEX International Network.

 

See: http://www.codexfoundation.org/mexico/index.html

Call for Papers: The Evolutionary Review–Art, Science, Culture

Volume 4 – Spring, 2013:  Published by SUNY Press, TER provides a forum for evolutionary critiques in all the fields of the arts, human sciences, and culture: essays and reviews on film, fiction, theater, visual art, music, dance, and popular culture; essays and reviews of books, articles, and theories related to evolution and evolutionary psychology; and essays and reviews on science, society, and the environment. Essays in The Evolutionary Review implicitly affirm E. O. Wilson’s vision of “consilience,” and give evidence that an evolutionary perspective can yield a richer, more complete understanding of the world and of ourselves.
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Automatons: Watching the historical human imagination mechanically mirror human functions

After seeing a wonderful automaton exhibition at the San Francisco Airport a few weeks ago, I was delighted to see an article on the Maillardet automaton at the Franklin Institute in today’s New York Times. The Maillardet automaton’s motions are controlled by dozens of slowly rotating brass disks. These disks contain all the data necessary for its lifelike movement and drawings — in effect, they serve as a mechanical form of read-only memory. Here is the link to how it works.

The Franklin Institute also has an informative video on YouTube:

Video: World Children’s Festival 2011 (sponsored by the International Child Art Foundation)

Occasionally what transpires in Washington DC can inspire our nation and the world.

For more information visit the ICAF site at www.icaf.org

Cambridge University puts Isaac Newton papers online

The notebooks in which Sir Isaac Newton worked out the theories on which much classical science is based have been put online by Cambridge University. Here.

Reviewed by Amy Ione: Helmholtz: From Enlightenment to Neuroscience

Helmholtz: From Enlightenment to Neuroscience
by Michel Meulders; edited and translated by Laurence Garey, The MIT Press, Cambridge, MA, 2010, 264 pp., illus. 32 b/w. Trade, $27.95/£19.95, ISBN: 978-0-262-01448-9.

A recurring topic among those interested in art, science, and technology is the value of transdisciplinary approaches. In my view, those who gravitate to this area (or related areas such as interdisciplinary, multidisciplinary, and integrative studies) see broad-based thinking both as a creative tool and a means to innovatively address some of the complex issues of our world today. Among these people are some who value disciplinary boundaries and believe that those who can operationally span their narrow parameters have the best foundation for conceptualizing how to innovate and see beyond known territory. The tendency to cast Leonardo da Vinci in the role of the “historical archetype” of this type of person, the “Renaissance Man,” has perhaps allowed us to lose sight of the many other original thinkers who exemplify what creative minds can accomplish when paired with a far-ranging, inventive imagination.

Helmholtz: From Enlightenment to Neuroscience by Michel Meulders offers a reminder that we can identify a number of figures in the past who worked across disciplines. The book introduces us to Hermann von Helmholtz (1821–1894), trained by Johannes Müller, and one of the most accomplished physiologists of his time. A key nineteenth century polymath, Helmholtz used a versatile toolbox for his co-discovery of the principle of the conservation of energy, his invention of several instruments (e.g. the ophthalmoscope, the ophthalmometer and the telestereoscope), and his many significant contributions to physics, physiology, physical theory, philosophy of science and mathematics, and aesthetic thought.

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Article: Art and the Limits of Neuroscience

Art and the Limits of Neuroscience
By ALVA NOë
Why does art move us? Why does it matter? The answers are not likely to be found by studying the brain.

Leonardo Reviews Posted December 2011

Leonardo Reviews is pleased to announce the December 2011 postings at: http://leonardo.info/ldr.html (ISSN:  1559-0429)

The Beginning of Infinity: Explanations that Transform the World
by David Deutsch
Reviewed by Richard Kade
Divining a Digital Future: Mess and Mythology in Ubiquitous Computing
by Paul Dourish and Genevieve Bell
Reviewed by John Vines
Helmholtz: From Enlightenment to Neuroscience
by Michel Meulders; edited and translated by Laurence Garey
Reviewed by Amy Ione
Switching Codes: Thinking Through Digital Technology in the Humanities and the Arts
by T. Bartscherer & R. Coover, Editors
Reviewed by Rob Harle
Through The Looking Glass
by Francisco López
Reviewed by Eugene Thacker


Also:

L|R|Q – Leonardo Reviews Quarterly
The fourth issue of Leonardo Reviews Quarterly is available to download as a PDF.

Please click here to start the download.

Institutional Critique: An Anthology of Artists’ Writings Reviewed by Amy Ione

 

Institutional Critique: An Anthology of Artists’ Writings brings together key documents related to institutional critique, a conceptual art movement that has raised questions about the workings of art institution (museums, galleries) since the 1960s.  Alexander Alberro (one of the editors of this volume) calls it a “gesture of negation” (p. 3) that was adopted by art world figures as they began to critically engage with the order of things within art venues.  The anthology presents the movement in four sections (Framing, Institution of Art, Institutionalizing, and Exit Strategies).  While the volume gives the impression that the critique is ongoing, the exit strategies section suggests that the initial concerns have morphed into something else.  Full Review   

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Leonardo Reviews Posted October 2011

Postings at http://leonardo.info/ldr.html (ISSN:  1559-0429)

Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law
by Kembrew McLeod & Rudolf Kuenzli, Editors
Reviewed by Rob Harle
Destroy All Monsters Magazine 1976-1979
by Destroy All Monsters
Reviewed by Mike Mosher
A Field Guide to a New Meta-Field: Bridging the Humanities -Neuroscience Divide
by Barbara Maria Stafford, Editor
Reviewed by Rob Harle
Green Light: Toward an Art of Evolution
by George Gessert
Reviewed by Craig Hilton
Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing
by Ann Cooper Albright
Reviewed by Giovanna L. Costantini
Remixthebook
by Mark Amerika
Reviewed by Jan Baetens

Continue reading ‘Leonardo Reviews Posted October 2011’ »